| After I had blown quite a few thousand dollars in | | | | instructions. There are two options for this: |
| a recording studio, a sound engineer friend made | | | | external and internal. |
| a cool suggestion. "Why don't you buy an ADAT, | | | | External sounds come in little boxes called sound |
| and do some tracking at home?" So I purchased | | | | modules (or keyboards with their own great |
| that venerable 8 track digital tape recorder and | | | | sounds). Sound modules have hundreds of |
| saved oodles of time and money putting all my | | | | high-quality patches that re-create every |
| synth tracks on tape. That was my start in home | | | | instrument in the orchestra, classic electronic |
| recording, and oh, the fun I've had since! | | | | sounds, spacey new synthesizer creations and |
| What are the basic pieces of equipment and | | | | sound effects. To use them, you send the MIDI |
| software one needs to record at home? | | | | back out from the sequencer program through |
| There are so many ways to do this! Well, since | | | | the audio interface's MIDI output and into the |
| you're reading this, you probably have a | | | | sound module. You then take the audio output |
| computer, so let's base our home studio on the | | | | from the sound module back into your computer |
| computer. We'll start by understanding the | | | | via the line input on your audio interface and |
| different functions we will need filled in home | | | | record it on a new audio track in the sequencer. |
| recording. Then we'll understand what the best | | | | It is now a real sound and is perfectly lined up |
| hardware and software products to do it are. In | | | | with the other tracks. |
| general, the principle I recommend is to use fewer | | | | Internal sounds come in lots of different types. |
| pieces of equipment with more functions. That | | | | Instruments that you use from within your audio |
| approach saves time and, usually, money. As you | | | | MIDI sequencer include VST instruments and |
| advance in your recording skills, you can go for | | | | software synths. The latter may automatically |
| more specialized equipment. | | | | come with your audio interface, or require |
| There are two distinct phases in recording a | | | | installation like any other program. Option two is a |
| song. One is the "in" phase, referring to everything | | | | full-blown sampler/synthesizer program, such as |
| needed to get your music performance into a | | | | "Reason", that you connect your sequencer to |
| basic recorded form, with however many tracks | | | | through a software function called "Rewire." And |
| you need. The second phase is the "out" phase, | | | | there are also sound modules that come in the |
| where you will take that raw music, process it | | | | form of PCI cards that you physically install on |
| and create the final stereo version. | | | | your computer. |
| The "in" phase -- sending the music to your | | | | Fine tuning and effects |
| computer | | | | Most every song will use spatial effects such as |
| Music can be put into your computer either as | | | | reverb and echo. You may find that some tracks |
| audio or as MIDI. Audio is actual sound recordings. | | | | are slightly out of tune. On others, there may be |
| MIDI records no sounds, but only the digital | | | | a consistent buzz that needs to be removed. For |
| instructions for an instrument to play. It is much | | | | all of these, you will want to have an audio editing |
| like a combination of a pianist and sheet music. | | | | program or plug-in. A plug-in is simply a function |
| Without an instrument, he can make no music. | | | | you can add to your basic sequencer program. |
| With MIDI, you are saving the note and volume | | | | Plug-ins exists for all kinds of functions, including |
| instructions to be played on the instruments of | | | | reverb, compression, equalization, noise reduction, |
| your choice later on. | | | | pitch correction and so forth. |
| Although some programs let you put MIDI notes | | | | An audio editing program is a standalone program |
| into your computer through your computer | | | | that does all of these things. With most audio |
| keyboard, and other programs have music | | | | MIDI sequencers, you can configure your |
| generation features that allow you to create an | | | | software to call up the audio editing program and |
| entire backing band without playing a note, the | | | | fix the track without leaving the sequencer. |
| best solution is a velocity sensitive MIDI keyboard. | | | | Mixing down |
| It gives a much more realistic performance. For | | | | Once you have all of your tracks and sounds |
| example, playing a key softer will record a softer | | | | recorded, you will need to mix them down to |
| note. Other features, such as aftertouch, allow | | | | stereo. Again, this can be done in an external or |
| you to add vibrato and other realistic effects. | | | | internal fashion. To do it externally, you would |
| Audio simply means actual sounds. Audio tracks | | | | need a hardware mixer. This method limits you to |
| will include vocals, acoustic instruments, and | | | | the number of tracks you can send independently |
| electronic instruments whose sounds you wish to | | | | through your audio interface and the number of |
| use. You will do well to get at least two | | | | tracks your mixer can handle. Nonetheless, mixers |
| microphones. Some microphones are better | | | | give you a real surface to work on, and often |
| constructed to record vocals, while others are | | | | include quality studio effects, reverbs and such. |
| optimized for instruments. In addition, having two | | | | Internal mixing means using your audio/MIDI |
| mics allows you to record in stereo, or two | | | | sequencer to mix down the entire song to two |
| soloists performing at the same time. | | | | tracks. The advantage of doing it internally is the |
| Receiving the music into your computer | | | | expanded number of tracks you can use. The |
| All of this will get your music up to your | | | | disadvantage is the difficulty of mixing with a |
| computer's door. How do you get it inside? With | | | | mouse on a computer screen. There are, |
| an audio interface that has: a microphone jack | | | | however, hardware mixing surfaces which simply |
| that fits your microphone cable and preamp | | | | control your software program. |
| function (so that the signal is strong enough to be | | | | Mastering and burning |
| properly recorded), phantom power (if you use a | | | | Once you have your stereo mix, you want to |
| condenser mic that needs it), a line input for | | | | put the finishing touches on it. These touches |
| synths and sound modules, and a MIDI interface. | | | | include overall compression, equalization, noise |
| Remember the principle - less products that do | | | | reduction, fading in and out and bringing the |
| more. Some find it simpler to run every audio | | | | recording up to a normalized level of volume. Your |
| sound, mics and all, through a hardware mixer | | | | audio editing program should be able to handle |
| (with phantom power and effects) and sending | | | | these adequately, although there are specialized |
| that pre-processed signal to the audio interface's | | | | mastering programs which offer higher quality and |
| line input. You'll still need the MIDI interface | | | | many more enhancement features. |
| function for your MIDI recording, though. | | | | Then you're ready to burn your song to CD. |
| Once your audio and MIDI are inside your | | | | Odds are that your CD writing drive came with a |
| computer, software takes over. For our recording | | | | program that does just that and you won't need |
| we will use what's called an integrated audio/MIDI | | | | anything more. I did mention that you'll need a CD |
| sequencer. Famous names include Cubase, | | | | writing drive, didn't I? Well, now I did! And if it's |
| Cakewalk and so forth. These programs record | | | | MP3 you're after, most audio programs encode |
| multiple tracks of audio and MIDI in perfect | | | | MP3s as well. |
| synchronization. | | | | And that's it! Now you have everything you need |
| Now you have all the equipment you need for | | | | to make your musical magic at home. Have fun, |
| the "in" phase. What will you need to take the | | | | but I don't need to tell you that, because it just |
| many tracks of audio and MIDI you have | | | | is.Seth Lutnick is a singer and songwriter who has |
| recorded and make a song out of them? | | | | been bitten by the bug of home music recording. |
| The "out" phase -- making MIDI into music | | | | His web site, offers detailed step-by-step plans |
| We mentioned that MIDI is simply digital | | | | for creating a home recording studio, song |
| instructions, it is not actual sounds. Now we will | | | | arranging and professional album recording. |
| need to create actual sounds from those | | | | |